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                        Mt. Holz Science Fiction Society
                    Club Notice - 05/31/91 -- Vol. 9, No. 48


       MEETINGS UPCOMING:

       Unless otherwise stated, all meetings are on Wednesdays at noon.
            LZ meetings are in LZ 2R-158.  MT meetings are in the cafeteria.

         _D_A_T_E                    _T_O_P_I_C

       06/05   LZ: UBIK by Phillip K. Dick (Death and Hell)
       06/26   LZ: ALTERNATE WORLDS by Robert Adams ("What If Things Were Different?")

         _D_A_T_E                    _E_X_T_E_R_N_A_L _M_E_E_T_I_N_G_S/_C_O_N_V_E_N_T_I_O_N_S/_E_T_C.

       06/08   SFABC: Science Fiction Association of Bergen County: TBA
                       (phone 201-933-2724 for details) (Saturday)
       06/15   NJSFS: New Jersey Science Fiction Society: TBA
                       (phone 201-432-5965 for details) (Saturday)

       HO Chair:      John Jetzt     HO 1E-525   834-1563  hocpa!jetzt
       LZ Chair:      Rob Mitchell   LZ 1B-306   576-6106  mtuxo!jrrt
       MT Chair:      Mark Leeper    MT 3D-441   957-5619  mtgzy!leeper
       HO Librarian:  Tim Schroeder  HO 3B-301   949-4488  hotsc!tps
       LZ Librarian:  Lance Larsen   LZ 3L-312   576-3346  mtunq!lfl
       MT Librarian:  Mark Leeper    MT 3D-441   957-5619  mtgzy!leeper
       Factotum:      Evelyn Leeper  MT 1F-329   957-2070  mtgzy!ecl
       All material copyright by author unless otherwise noted.

       1. One of the cable stations  runs  a  late-night  program  of  bad
       movies  and  rock  videos.   Maybe they feel the rock videos are so
       obnoxious they need something even worse to show them with  and  to
       make  them  look  better.   Anyway, the films they show have titles
       such as _I _W_a_s _a _Z_o_m_b_i_e _f_o_r _t_h_e _F_B_I.  That sort of film is  a  fraud
       in  and  of  itself.   It was made for the people who like _C_r_e_e_p_i_n_g
       _T_e_r_r_o_r and _P_l_a_n  _9  _f_r_o_m  _O_u_t_e_r  _S_p_a_c_e.   There  is  a  market  for
       incompetently  made films and an audience of sick puppies who enjoy
       sitting around and  laughing  at  the  incompetence.   One  of  the
       features  of the human psyche is that even if you have done nothing
       of value in your life you can feel good by seeing how other  people
       have  tried  to be creative and failed.  But now _I _W_a_s _a _Z_o_m_b_i_e _f_o_r
       _t_h_e _F_B_I is intentionally incompetent, like  _A_t_t_a_c_k  _o_f  _t_h_e  _K_i_l_l_e_r
       _T_o_m_a_t_o_e_s.   These  are  films  of  ersatz  incompetence, made for a
       market that is anxious to find new thrills in incompetence.











       THE MT VOID                                           Page 2



       Anyway, it is rare that you would see  anything  on  one  of  these
       programs  that  is  of  a  deep nature, but I have to say one I saw
       really did  change  my  world-view  somewhat.   They  were  running
       documentaries  from  the  1950s to smirk at.  One was one you would
       see in school about how to behave on a date.  But in the middle  of
       all  this  frivolity  they  showed  an instructional film for dairy
       farmers and they said, "Yes, cows make friends  and  have  personal
       favorites  just  like people do."  Big laugh from the audience, but
       not from me.

       I guess  I  had  not  given  a  whole  lot  of  thought  to  bovine
       intelligence  before  this.   Apparently  cows and bulls and steers
       (isn't there a single word for these things?  A doe or a buck is  a
       female  or  male  deer.   A  cow  or  a  bull  is  a female or male
       what?) have an actual social  structure.   They  don't  break  down
       their  species  into  just "me," "my mother," and "the others," but
       look at each other as individuals.  That Big  Mac  you  are  eating
       could be made up of somebody's best friend.

       I  knew  I  should  cut  down  on  my  red  meat  consumption   for
       cholesterol,  but  somehow  I never got around to it.  I think this
       might have been what pushed me over the edge.  At home I don't  eat
       mammal  and  in  restaurants I never order mammal.  Way, way back I
       started with my own boycott of veal.  I you still  don't  know  how
       veal  is  raised,  take  it  from me, you don't want to know.  Just
       don't eat veal, or I might tell you.  I think  I  might  eat  whale
       meat  before  I'd  eat  veal.  But now all mammals are on the list.
       Actually, with the exception of penguins, I have little respect for
       either bird or fish intelligence, so if I want meat it will be from
       a bird or a fish.

       But even stranger is that I am starting to resent the beef industry
       in  much  the  same way I guess I resent the tobacco industry.  Not
       too long ago I took them to task for the slogan "Beef ... real food
       for  real  people."   You  lose  your "realness" if you worry about
       eating somebody's friend or  clogging  your  arteries.   And  their
       spokesperson is James Garner, who has already had one or more heart
       attacks.  I notice they are trying to give beef a better face.   My
       morning  news  program  us  sponsored by "The National Beef Council
       ... helping to show that beef has a place in modern  diets."   Then
       if you see their ads they say how healthy it is to have a two-ounce
       steak.  Have you ever seen a two-ounce steak?   You  need  tweezers
       and  a  razor blade to cut it.  In those amounts apparently beef is
       okay.  Actually, I think the National Beef Council is  a  lot  like
       the Creation Science Institute.  Both started with their conclusion
       and worked backwards to justify it.

       2. The list of 1991 Hugo nominees is attached.   Our  factotum  has
       again been nominated.


                                          Mark Leeper
                                          MT 3D-441 957-5619
                                           ...mtgzy!leeper












                                Hugo Nominations 1991


       Best Novel:
            _E_a_r_t_h by David Brin, Bantam Spectra
            _T_h_e _F_a_l_l _o_f _H_y_p_e_r_i_o_n by Dan Simmons, Doubleday Foundation
            _Q_u_e_e_n _o_f _A_n_g_e_l_s by Greg Bear, Warner books
            _T_h_e _Q_u_i_e_t _P_o_o_l_s by Michael Kube-McDowell, Ace Books
            _T_h_e _V_o_r _G_a_m_e by Lois McMaster Bujold, Baen Books

       Best Novella:
            "Bones" by Pat Murphy, IASFM May 1990
            "Bully!" by Mike Resnick, Axolotl Press
            "Fool to Believe" by Pat Cadigan, IASFM February 1990
            "The Hemingway Hoax" by Joe Haldeman, IASFM April 1990
            "A Short, Sharp Shock" by Kim Stanley Robinson, IASFM
                 November 1990

       Best Novelette:
            "A Braver Thing" by Charles Sheffield, IASFM February 1990
            "The Coon Rolled Down and Ruptured His Larinks, A Squeezed Novel
                 by Mr. Skunk" by Dafydd ab Hugh, IASFM, August 1990
            "The Manamouki" by Mike Resnick, IASFM July 1990
            "Over the Long Haul" by Marthu Soukup, _A_m_a_z_i_n_g, March 1990
            "Tower of Babylon" by Ted Chiang, _O_m_n_i November 1990

       Best Short Story:
            "Bears Discover Fire" by Terry Bisson, IASFM, August 1990
            "Cibola" by Connie Willis, IASFM, December 1990
            "Godspeed" by Charles Sheffield, _A_n_a_l_o_g July 1990
            "The Utility Man" by Robert Reed, IASFM, November 1990
            "VRM-547" by W. R. Thompson, _A_n_a_l_o_g, February 1990

       Best Non-Fiction Book:
            _B_u_r_y _M_y _H_e_a_r_t _a_t _W._H. _S_m_i_t_h'_s by Brian W. Aldiss,
                 Hodder & Staughton
            _H_o_l_l_y_w_o_o_d _G_o_t_h_i_c by David J. Skal, Norton
            _H_o_w _t_o _W_r_i_t_e _S_c_i_e_n_c_e _F_i_c_t_i_o_n _a_n_d _F_a_n_t_a_s_y by Orson Scott
                 Card, Writer's Digest Books
            _S_c_i_e_n_c_e _F_i_c_t_i_o_n _i_n _t_h_e _R_e_a_l _W_o_r_l_d by Norman Spinrad,
                 So. Illinois University Press
            _S_F_W_A _H_a_n_d_b_o_o_k by Kristine Kathryn Rusch & Dean Smith,
                 Writers Notebook Press

       Best Dramatic Presentation:
            _B_a_c_k _t_o _t_h_e _F_u_t_u_r_e _I_I_I, Universal Studios
            _E_d_w_a_r_d _S_c_i_s_s_o_r_h_a_n_d_s, 20th Century Fox
            _G_h_o_s_t, Paramount
            _T_o_t_a_l _R_e_c_a_l_l, Tristar/Columbia
            _W_i_t_c_h_e_s, Warner Brothers












       Hugo Nominations 1991         May 25, 1991                        Page 2



       Best Professional Artist:
            Thomas Canty
            David Cherry
            Bob Eggleton
            Don Maitz
            Michael Whelan

       Best Professional Editor:
            Ellen Datlow
            Gardner Dozois
            Edward L. Ferman
            Kristine Kathryn Rusch
            Stanley Schmidt

       Best Semiprozine:
            _I_n_t_e_r_z_o_n_e, Dan Pringle
            _L_o_c_u_s, Charles Brown
            _T_h_e _N_e_w _Y_o_r_k _R_e_v_i_e_w _o_f _S_c_i_e_n_c_e _F_i_c_t_i_o_n, David G. Hartwell,
                 Kathryn Kramer, Gordon van Gelder
            _Q_u_a_n_t_u_m (formerly _T_h_r_u_s_t) D. Douglas Fratz
            _S_c_i_e_n_c_e _F_i_c_t_i_o_n _C_h_r_o_n_i_c_l_e, Andrew I. Porter

       Best Fan Artist:
            Teddy Harvia
            Merle Insinga
            Peggy Ranson
            Stu Shiffman
            Diana Stein

       Best Fan Writer:
            Avedon Carol
            Mike Glyer
            Arthur Hlavaty
            David Langford
            Evelyn C. Leeper
            Teresa Nielsen Hayden

       Best Fanzine:
            _F_i_l_e _7_7_0, Mike Glyer
            _F_o_s_f_a_x, Moore and Timothy Lane
            _L_a_n'_s _L_a_n_t_e_r_n, George Laskowski
            _M_a_i_n_s_t_r_e_a_m, Jerry Kaufman and Suzanne Tompkins
            _M_i_m_o_s_a, Dick and Nicki Lynch

       John W. Campbell Award:
            Nancy A. Collins (SUNGLASSES AFTER DARK, TEMPTER)
            John Cramer (TWISTOR, several science fact articles in ANALOG)
            Scott Cupp ("Thirteen Days of Glory" and other horror stories
                in original anthologies, mostly Western)
            Julia Ecklar
            Michael Kandel (STRANGE INVASIONS, IN BETWEEN DRAGONS)
            (All are in their second year of eligibility)