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                           Mt. Holz Science Fiction Society
                       Club Notice - 07/26/91 -- Vol. 10, No. 4


          MEETINGS UPCOMING:

          Unless otherwise stated, all meetings are on Wednesdays at noon.
               LZ meetings are in LZ 2R-158.  MT meetings are in the cafeteria.

            _D_A_T_E                    _T_O_P_I_C

          08/07   LZ: EARTH by David Brin (Hugo nominee)
          08/28   LZ: QUEEN OF ANGELS by Greg Bear (Hugo nominee)
          09/18   LZ: THE FALL OF HYPERION by Dan Simmons (Hugo nominee)
          10/09   LZ: THE QUIET POOLS by Michael Kube-McDowell (Hugo nominee)
          10/30   LZ: MINDBRIDGE by Joe Haldeman
          11/20   LZ: EON by Greg Bear
          12/11   LZ: MIRKHEIM by Poul Anderson

            _D_A_T_E                    _E_X_T_E_R_N_A_L _M_E_E_T_I_N_G_S/_C_O_N_V_E_N_T_I_O_N_S/_E_T_C.

          08/10   SFABC: Science Fiction Association of Bergen County: TBA
                          (phone 201-933-2724 for details) (Saturday)
          08/10   Hugo Ballots due
          08/17   NJSFS: New Jersey Science Fiction Society: TBA
                          (phone 201-432-5965 for details) (Saturday)

          HO Chair:      John Jetzt         HO 1E-525   834-1563  hocpa!jetzt
          LZ Chair:      Rob Mitchell       LZ 1B-306   576-6106  mtuxo!jrrt
          MT Chair:      Mark Leeper        MT 3D-441   957-5619  mtgzy!leeper
          HO Librarian:  Rebecca Schoenfeld HO 2K-430   949-6122  homxb!btfsd
          LZ Librarian:  Lance Larsen       LZ 3L-312   576-3346  mtunq!lfl
          MT Librarian:  Mark Leeper        MT 3D-441   957-5619  mtgzy!leeper
          Factotum:      Evelyn Leeper      MT 1F-329   957-2070  mtgzy!ecl
          All material copyright by author unless otherwise noted.

          1.  I have to tell you about this disappointing thing that happened
          to  me.   I  had  been  hearing for months about the restoration of
          _S_p_a_r_t_a_c_u_s.  I was licking my  chops  and  looking  forward  to  the
          release.   Not that I hadn't seen the film.  I actually have a very
          good copy on tape, stereophonic sound and overture and  everything.
          I  love  a spectacular film with an overture.  Somehow hearing five
          minutes of music before you see  anything,  then  having  the  film
          actually  start  (if  possible, with a curtain rise), just fills me
          with  excitement  and  anticipation.   I'm  serious.   I  love  it!











          THE MT VOID                                           Page 2



          Anyway, I really wanted to go see it on a wide screen.  As the time
          grew near I really was  sorely  tempted  to  watch  my  copy,  even
          without the "snails and oysters" scene.  Big deal.  One scene.  And
          a few violent fight scenes that the censor cut.  What is good about
          the  film  is  Ustinov's performance, and Olivier's, and Douglas's.
          Well, a poster showed up at my  local  theater.   I  went  away  on
          vacation  looking  forward  to seeing the film when I got back from
          vacation.  When I  got  back  the  film  was  gone.   "Pulled  from
          circulation for lack of attendance."  I should have watched my copy
          when I wanted to.

          2. I am sort of looking forward to the next Leeperhouse film  fest.
          On Thursday, August 1, at 7 PM, we will be showing one of the great
          historical epics.  And if you make noise or distract  me,  I  break
          your head.

          Spartacus
          SPARTACUS (1960) dir. by Stanley Kubrick

          What can one say about Stanley Kubrick's  account  of  the  Servile
          Rebellion  against  Ancient  Rome?   It  is  considered  to be both
          intelligent and spectacular.  It has a superb score by Alex  North.
          What  can you say about a cast like Kirk Douglas, Laurence Olivier,
          Jean Simmons, Tony  Curtis,  Charles  Laughton,  Peter  Ustinov  (a
          superb  scene-stealer),  John  Gavin,  Nina Foch, Herbert Lom, John
          Ireland, and Woody Strode?  It won four Oscars.  And  it,  together
          with  _E_x_o_d_u_s,  broke  the  Hollywood  blacklist  by  openly  giving
          screenplay credit to the blacklisted Dalton Trumbo.  It could  have
          easily  been  boycotted.  When it wasn't, the blacklist was broken.
          Several moving scenes punctuate the film.  If you have seen it, see
          it  again.   If  you  haven't  seen it, you'd be stupid to miss it.
          Almost up to _L_a_w_r_e_n_c_e _o_f _A_r_a_b_i_a.

          3. Does anyone have a copy of "Over the Long Haul" by Martha Soukup
          (which  first appeared in _A_m_a_z_i_n_g, March 1990) that I could borrow?
          (Why is there always one Hugo nominee that's impossible  to  find?)
          If  you  do,  send  e-mail  to  mtgzy!ecl,  or call me at 957-2070.
          Thanks.  [-ecl]

          4. I am told that in the last notice I referred to "Columbia."  The
          current spelling is "Colombia."  Yes, I know what you are thinking.
          It doesn't look right to  me  either.   But  that  is  the  correct
          spelling of the country.


                                             Mark Leeper
                                             MT 3D-441 957-5619
                                              ...mtgzy!leeper



               All our knowledge begins with the senses, proceeds then
               to the understanding, and ends with reason.  There is
               nothing higher than reason.
                                             -- Immanuel Kant











          TALES OF NATURAL AND UNNATURAL CATASTROPHES by Patricia Highsmith
                  Atlantic Monthly, 1987, ISBN 0-87113-341-5, $8.95.
                          A book review by Evelyn C. Leeper
                           Copyright 1991 Evelyn C. Leeper



            Patricia Highsmith is primarily known as a mystery writer, yet in
       this collection she is well withing the bounds of "speculative fiction."
       I suspect it is her unfamiliarity with the genre that leads her
       occasionally to re-use well-worn plots, yet her style helps rescue them
       from mediocrity.

            The first two stories place more emphasis on style than on the
       actual events involved.  "The Mysterious Cemetery" has an eerie quality
       that seems to be a cross between Poe and Lovecraft.  "Moby Dick II; or
       The Missile Whale," on the other hand, while evoking Melville in the
       title, bears little stylistic similarity.  Rather, parts of it reminded
       me of Richard Adams's "animal's-eye" view of things.

            From these two atmospheric stories, we go on to more plot-oriented
       ones.  "Operation Balsam; or Touch-Me-Not" is a tale of what might be
       happening to the country's radioactive waste--not unlike other
       cautionary tales perhaps, but far more realistic in plotting and
       characterization than most (and far less optimistic than anything _A_n_a_l_o_g
       would print).  "Naubuti: Warm Welcome to a UN Committee" may not be
       politically correct these days, but it probably reflects the reality of
       life in the newly independent states in Africa.  ("Newly" here means in
       the last thirty years.)  If Tor is looking for a thematic pairing of
       stories for their "Tor Doubles" series, I would suggest this and Mike
       Resnick's "Bully!" as excellent stories on the theme "Is Africa Ready
       for Independence?"  (Boy, if that doesn't stir up discussion, nothing
       will!)  (After writing this, I noted that "Bully!" has been paired with
       Resnick's "Bwana" so I suppose that puts an end to that.  But there
       could still be a theme anthology....)

            Just what a "kinder, gentler" America could lead to is examined in
       "Sweet Freedom! And a Picnic on the White House Lawn."  Or as a friend
       of mine is fond of quoting, "Be careful what you ask for, because you
       might get it."  If you want a classic horror story a la the old
       E. C. Comics, try "Trouble at the Jade Towers."  (It also reminded me of
       the episode "Beetles" from _T_a_l_e_s _f_r_o_m _t_h_e _D_a_r_k_s_i_d_e.)

            In "Rent-a-Womb vs. the Mighty Right" Highsmith points out the
       illogic in many of the positions of the "New Right."  (Of course, that's
       just _m_y opinion.  Your mileage may vary, as they say, in this case
       depending on your philosophy.)

            As "Rent-a-Womb vs. the Mighty Right" is about birth, so "No End in
       Sight" is about death, making a neat diptych in the center of this book.
       The yellowish-green glow of Naomi predates Stephen King's _G_o_l_d_e_n _Y_e_a_r_s











       Tales of Catastrophes        July 12, 1991                        Page 2



       by four years, by the way, so I wouldn't rush to assume any influence
       here.  Just because Naomi is over 200 years old and glows green could be
       a coincidence.  (Then again, "No End in Sight" is right about the same
       time as _T_o_m_m_y_k_n_o_c_k_e_r_s, the original green glow story.)

            The politics of religion resurfaces in "Sixtus VI, Pope of the Red
       Slipper," as well as some older ideas as well.  Does the Lord work in
       mysterious ways, his wonders to perform?  Or is it all accident and
       happenstance?  In any case, this extrapolation of liberation theology
       certainly stimulates thought.

            Unfortunately, the collection ends on a weak note with "President
       Buck Jones Rallies and Waves the Flag," heavily inspired (so far as I
       can tell) by Stanley Kubrick's _D_r.=_S_t_r_a_n_g_e_l_o_v_e.  What isn't Kubrick
       seems pure Ron and Nancy, and it's a pity that an otherwise good
       collection finishes up on such a lame story.

            I haven't read other Highsmith books, and so can't comment on her
       work in general.  But these speculative fiction stories are recommended
       as a way of seeing things from a different perspective.