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                        Mt. Holz Science Fiction Society
                    Club Notice - 04/24/92 -- Vol. 10, No. 43


       MEETINGS UPCOMING:

       Unless otherwise stated, all meetings are on Wednesdays at noon.
            LZ meetings are in LZ 2R-158.

         _D_A_T_E                    _T_O_P_I_C

       05/13  LZ: ONLY BEGOTTEN DAUGHTER by James Morrow (Books we heard are
                       very good)
       06/03  LZ: THRICE UPON A TIME by James Hogan (Time Travel)
       06/24  LZ: RAFT by Stephen Baxter (Gravity)
       07/15  LZ: THE ULTIMATE GUIDE TO SCIENCE FICTION by David Pringle (SF
                       reference books)
       08/05  LZ: THE SILMARILLION by J.R.R. Tolkien (Alternate Mythologies)

         _D_A_T_E                    _E_X_T_E_R_N_A_L _M_E_E_T_I_N_G_S/_C_O_N_V_E_N_T_I_O_N_S/_E_T_C.
       05/09  SFABC: Science Fiction Association of Bergen County: TBA
                       (phone 201-933-2724 for details) (Saturday)
       05/16  NJSFS: New Jersey Science Fiction Society: TBA
                       (phone 201-432-5965 for details) (Saturday)

       HO Chair:     John Jetzt        HO 1E-525  908-834-1563 hocpb!jetzt
       LZ Chair:     Rob Mitchell      HO 1D-505A 908-834-1267 mtuxo!jrrt
       MT Chair:     Mark Leeper       MT 3D-441  908-957-5619 mtgzy!leeper
       HO Librarian: Nick Sauer        HO 4F-427  908-949-7076 homxc!11366ns
       LZ Librarian: Lance Larsen      LZ 3L-312  908-576-3346 mtfme!lfl
       MT Librarian: Mark Leeper       MT 3D-441  908-957-5619 mtgzy!leeper
       Factotum:     Evelyn Leeper     MT 1F-329  908-957-2070 mtgzy!ecl
       All material copyright by author unless otherwise noted.

       1.   We  don't  usually  show  episodes  from  TV  series  for  the
       Leeperhouse fest, but this year we have already show an American SF
       TV retrospective and episodes of the Japanese  BUBBLE  GUM  CRISIS.
       Now  we  are  going  to  show  what I consider to be the best in SF
       television.  On Thursday, April 30, at  7  PM  we  will  show:  THE
       SURVIVORS (Episodes 1-3).

       Our next film fest will be a showing of the first three episodes of
       "The  Survivors, " and I have claimed for years that I thought that
       this was the best science fiction TV series I had  ever  seen.   (I
       don't  count  the 6-part Quatermass serials as being long enough to











       THE MT VOID                                                  Page 2



       be series.)   I recommend the series very strongly.   In  the  mid-
       1970s  I  worked  in  Detroit  when  the CBC (Canadian Broadcasting
       Corporation) broadcast the first season.  What a reaction!   People
       who had never expressed any interest in science fiction before then
       would have animated lunch discussions about  the  previous  night's
       episode of "The Survivors."

       The plot of "The Survivors" is that almost all  of  the  world  has
       been  killed  by  a  virus.   There are perhaps 7000 people left in
       Britain, in any case so few left that no two people who  knew  each
       other  prior  to  the virus are now both alive (or at least can now
       find each other).  Pockets of people are trying to form again  into
       small  societies.   Some work out, some do not, and the question of
       what makes a society work is central to  the  series.    There  are
       three  or  four  groups  of people claiming to be the British army,
       none of which have any real claim to the title.  Some group try  to
       grab  up  pre-existing  food  and  resources,  others  try to start
       farming anew.  The story is  very  intelligently  executed.   Don't
       expect  a  lot  of  special  effects,  but do expect some very good
       writing and some very compelling situations.

       One of the reasons I am showing the series is that I would like  to
       see  people  writing  their  local PBS stations and requesting that
       they get the series.  A friend is  making  me  copies  from  a  San
       Francisco area PBS station's broadcast, so it is in syndication.  I
       have a source, but it loses a lot of the  thrill  if  there  aren't
       people to discuss the series with.

       (If time permits we will show the fourth episode  as  well,  but  I
       suspect the discussion periods will make this infeasible.  -ecl)

       (I suspect that people will want to stay and see a  fourth  episode
       even  if there is discussion.  I may want to if for no other reason
       than I will not have seen it since my Detroit days.)

       2. Some of you may know that WBAI, FM 99.5  has  a  two-hour  radio
       program devoted to science fiction every Saturday morning from 5 AM
       to 7 AM.  (I have a tape recorder on  a  timer  to  get  it.)   Jim
       Freund currently hosts the program, "Hour of the Wolf," invented by
       Margot Adler (currently a popular commentator on  NPR).   Saturday,
       May  2,  will  be  the  20th anniversary of the program.  WBAI will
       spend  a  whole  day  devoted  to  science  fiction,  fantasy,  and
       enchantment.



















       THE MT VOID                                                  Page 3



        5:00 AM Subject: Terrence McKenna
        7:00 AM Subject: Jorge Luis Borges
        8:30 AM "By His Bootstraps," Richard Dreyfus in radio drama
       10:30 AM "13 Clocks," Radio dramatization
        noon    Philip K. Dick interview
        1:00 PM Piper in the Meadow Straying: science-fiction-related music
        2:00 PM "Star Pit," reading by Samuel Delaney
        5:00 PM "Soundtrack," science fiction in the movies
        7:00 PM "Golden Age of Radio," classic science fiction radio drama
        9:00 PM Reading at Dixon Place: current authors reading own works
       11:00 PM "Hour of the Wolf" with Margot Adler (2 hours)



                                          Mark Leeper
                                          MT 3D-441 908-957-5619
                                           ...mtgzy!leeper



            The scientific attitude of mind involves a sweeping
            away of all other desires in the interest of the
            desire to know--it involves supression of hopes and
            fears, loves and hates, and the whole subjective
            emotional life, until we become sudued to the
            material, without bias, without any wish except to
            see it as it is, and without any belief that what
            it is must be determined by some relation, positive
            or negative, to what we should like it to be or to
            what we can easily imagine it to be.
                                          -- Bertrand Russell



































                                     TOTO THE HERO
                            A film review by Mark R. Leeper
                             Copyright 1992 Mark R. Leeper



                    Capsule review:  The reminiscences of a man who
               blames all the pain of his life on a friend with whom
               he believes he was switched at birth.  Childhood and
               adult fantasy intertwine with reality as Thomas
               (nicknamed Toto) plots his revenge on Alfred.
               Strange but likable film.  Rating: low +2 (-4 to +4).
               (Warning: there are spoilers in this review.)

               Thomas van Hasbroeck is unstuck in time.  Well, in fact his
          whole family was a little unstrung in various ways.  Thomas grew up
          with the childish fantasy that he had been switched with another
          baby, Alfred, in the nursery and the rich kid across the street
          really belonged to Thomas's family and Thomas belonged to the rich
          family.  Through life, every misfortune Thomas suffered he blamed on
          Alfred.  Every piece of good fortune Alfred enjoyed should have gone
          to Thomas.  Thomas blamed Alfred for the loss of the two women he
          loved.  One was his sister Alice, who was attractive and had a
          natural flair for arson and incest.  Later it was Evelyne, who loved
          Thomas but married Alfred.  All this is a set of disjointed
          reminiscences of the old Thomas as he plans his revenge on Alfred.
          At each age, we see Thomas's fantasies of revenge against the
          dastardly usurper Alfred.  Usually they are framed as scenes from a
          spy film about the great Toto--Toto is Thomas's nickname.  And part
          of what the film is about is the function of fantasy as an important
          part of how we see reality.  Thomas must know that he is making most
          of his fantasies up, but they impact strongly on his world view.

               Flashing forward and backward in time, we see little enigmatic
          memories as flashes that will later be fleshed out.  Eventually we
          discover that the film has played a nifty little sleight-of-hand on
          us--a double sleight-of-hand, in fact.

               The director and screenwriter of this Belgian-French-German
          production is Jaco van Dormael, who went from being a clown to being
          a children's theater director to being a film director.  He has fun
          with children and the way they look at the world.

               This film has been getting a lot of positive comment after
          appearing at several film festivals.  It is a little slight for the
          comment it is getting, but it is worth seeing.  I give _T_o_t_o _t_h_e _H_e_r_o
          a low +2 on the -4 to +4 scale.



















                 THE FANTASTIC CIVIL WAR edited by Frank McSherry, Jr.
                         Baen, 1991, ISBN 0-671-7206-5, $4.50.
                           A book review by Evelyn C. Leeper
                            Copyright 1992 Evelyn C. Leeper



               This anthology is brought to you by the same group of people
          who produced _T_h_e _F_a_n_t_a_s_t_i_c _W_o_r_l_d _W_a_r _I_I: Frank McSherry, Jr.;
          Charles G. Waugh; Martin Harry Greenberg; introductions by
          S. M. Stirling; and a cover by Ken Kelly that is visually striking
          but totally unrelated to any story in the book (and extremely
          similar to the one of _T_h_e _F_a_n_t_a_s_t_i_c _W_o_r_l_d _W_a_r _I_I, which is also
          totally unrelated to any story in that book).  And just to keep the
          record straight for any readers outside of the United States, this
          is the United States' Civil War that is being discussed.

               About a third of the book is Ward Moore's classic _B_r_i_n_g _t_h_e
          _J_u_b_i_l_e_e, not the first "what if the South won the Civil War?" (the
          first I know of were Winston Churchill's "If Lee had not Won the
          Battle of Gettysburg" from _S_c_r_i_b_n_e_r'_s December 1930 issue, James
          Thurber's "If Grant Had Been Drinking at Appomattox" from _T_h_e _N_e_w
          _Y_o_r_k_e_r's December 6, 1930, issue, and Virginia Dabney's "If the
          South had Won the War" from _S_c_r_i_b_n_e_r'_s October 1936 issue.  Milton
          Waldman's "If Booth had Missed Lincoln" in _S_c_r_i_b_n_e_r'_s November 1930
          issue is not quite the same premise), but certainly the best-known
          and most highly regarded.  About this all I need say is it's a
          classic and if you haven't read it, you should.

               Though one might think this book would contain alternate
          histories of the Civil War, there are several pieces which are
          science fiction or fantasy and _n_o_t alternate histories.  Robert
          E. Howard's "For the Love of Barbara Allen" is a touching love
          story--not at all what one might expect from an author best known as
          the creator of Conan the Barbarian.  "The Valley Was Still" by Manly
          Wade Wellman is _n_o_t a departure from that author's style, however,
          since Wellman is known for tales of backwoods witchery and magic,
          and the story delivers that--and delivers it well.

               Several stories suppose some sort of Southern super-weapon.
          (Look at that alliteration!)  In Eric L. Davin's "Avenging Angel"
          the weapon is home-grown.  This seems to have a Vernian touch, but
          the main story is one of those "it seemed like a good idea at the
          time" ones.  In this case, the super-weapon's effects are very
          different from what was expected.  (I also see some possible
          extrapolations for alternate Hiroshimas here.)  In "The Chronicle of
          the 656th" by George Bryam, a regiment of soldiers from 1944
          suddenly finds itself hurled back in time eighty years.  They have
          weapons more powerful than any of that time; they also have both
          Northerners and Southerners in their ranks and both of these ideas
          are used to develop the story.  Jack Finney's "Quit Zoomin' Those











          Fantastic Civil War        April 20, 1992                     Page 2



          Hands Through the Air" has an inventor with a time machine go
          forward in time looking for a new weapon and return with the Wright
          Brothers' plane.

               "The Long Drum Roll" by Harry Turtledove is an excerpt from his
          upcoming novel of the same name.  In this, Afrikaaners from the 21st
          Century come _b_a_c_k in time to help the South and hence achieve their
          vision of a better world.  It's hard to judge this excerpt except to
          say that it makes me want to read the novel when it comes out.  (I
          find it ironic that the introduction for this, as for all the
          stories, is written by S. M. Stirling, whose best-known works are a
          series of alternate histories based on the premise that defeated
          Southerners founded a South African state and eventually became a
          major world power.  And now the idea has come full circle, so to
          speak.  Though if Turtledove hasn't been updating his manuscript, he
          will be writing about alternate Afrikaaners as well.)

               Charles L. Harness's "Quarks at Appomattox" _i_s an alternate
          history--but not in the way you think.  In this case, the time
          traveler is Oberst Karl von Mainz, Colonel of the Army of West
          Germany of 2065, fine when the story was written in 1983, but now a
          noticeable historical artifact, as is von Mainz's reference to
          "Leningradoh, St. Petersburg to you of the 1860s]."  Yes, and to the
          rest of us also, with little chance of reversion, I would say.

               The two remaining stories are time travel without being
          alternate histories.  John M. Ford's "Slowly By, Lorena" is another
          in Ford's "Alternities" series.  In this one, the time traveler is a
          doctor who went on a ten-day trip to a simulated Civil War and got
          stranded there for five years.  (Okay, I lied--this is an alternate
          history.  But the alternate history aspect is not the point.)
          Rounding out the book is "Time's Arrow" by Jack McDevitt (original
          titled "Hard Landings") which has a time traveler go back to
          Gettysburg as well as to other destinations.  The fact that the
          Civil War is only a small part of the story makes it a weak choice
          to conclude this particular book, though the story itself is a
          perfectly good story.

               I suppose there may be enough material for a third volume, _T_h_e
          _F_a_n_t_a_s_t_i_c _A_m_e_r_i_c_a_n _R_e_v_o_l_u_t_i_o_n, but then what?  _T_h_e _F_a_n_t_a_s_t_i_c
          _S_p_a_n_i_s_h-_A_m_e_r_i_c_a_n _W_a_r?  _T_h_e _F_a_n_t_a_s_t_i_c _P_e_r_s_i_a_n _G_u_l_f _W_a_r?  When they
          get to _T_h_e _F_a_n_t_a_s_t_i_c _G_r_e_n_a_d_a _I_n_v_a_s_i_o_n, we'll know they're tapped
          out.