@@@@@ @   @ @@@@@    @     @ @@@@@@@   @       @  @@@@@ @@@@@ @@@
         @   @   @ @        @ @ @ @    @       @     @   @   @   @   @  @
         @   @@@@@ @@@@     @  @  @    @        @   @    @   @   @   @   @
         @   @   @ @        @     @    @         @ @     @   @   @   @  @
         @   @   @ @@@@@    @     @    @          @      @@@@@ @@@@@ @@@

                        Mt. Holz Science Fiction Society
                    Club Notice - 06/19/92 -- Vol. 10, No. 51


       MEETINGS UPCOMING:

       Unless otherwise stated, all meetings are on Wednesdays at noon.

         _D_A_T_E                    _T_O_P_I_C

       06/24  HO: RAFT by Stephen Baxter (Gravity) (HO 1N-410)
       07/15  MT: THE ULTIMATE GUIDE TO SCIENCE FICTION by David Pringle (SF
                       reference books) (MT 1P-364)
       08/05  HO: THE SILMARILLION by J.R.R. Tolkien (Alternate Mythologies)
                       (HO 1N-410)
       08/26  HO: BONE DANCE by Emma Bull (Hugo nominee) (HO 1N-410)

         _D_A_T_E                    _E_X_T_E_R_N_A_L _M_E_E_T_I_N_G_S/_C_O_N_V_E_N_T_I_O_N_S/_E_T_C.
       06/20  NJSFS: New Jersey Science Fiction Society: TBA
                       (phone 201-432-5965 for details) (Saturday)
       07/11  SFABC: Science Fiction Association of Bergen County: Nicholas
                       Jainschigg (artist) (phone 201-933-2724 for details)
                       (Saturday)

       HO Chair:     John Jetzt        HO 1E-525  908-834-1563 hocpb!jetzt
       LZ Chair:     Rob Mitchell      HO 1D-505A 908-834-1267 mtuxo!jrrt
       MT Chair:     Mark Leeper       MT 3D-441  908-957-5619 mtgzy!leeper
       HO Librarian: Nick Sauer        HO 4F-427  908-949-7076 homxc!11366ns
       LZ Librarian: Lance Larsen      LZ 3L-312  908-576-3346 mtfme!lfl
       MT Librarian: Mark Leeper       MT 3D-441  908-957-5619 mtgzy!leeper
       Factotum:     Evelyn Leeper     MT 1F-329  908-957-2070 mtgzy!ecl
       All material copyright by author unless otherwise noted.

       1. Of the next *Holmdel*  discussion  book  (Wednesday,  June  24),
       Evelyn Leeper says:

       After four people independently recommended _R_a_f_t  in  a  period  of
       only  five  days,  I decided I had to read it.  Okay, it may not be
       the greatest thing since sliced bread, but it is a very competently
       done  hard  science  story  a la Clarke and Niven (both of whom are
       quoted on the cover) and Clement and Heinlein  (who  aren't).   The
       back  blurb gives you the premise in its first sentence: "Imagine a
       universe whose force of gravity is one billion times stronger  than
       today's."   Somehow a spaceship from our universe crossed into this
       one and got stranded many generations ago, and at the time  of  the











       THE MT VOID                                                  Page 2



       story  we  have three distinct societies: the Raft, the Miners, and
       the Boneys, each of which hates and/or distrusts the other two, but
       will  have  to  learn  to  cooperate  with  them because of a newly
       discovered menace to them all.  This is more a space adventure book
       than  an  idea book.  There are some intriguing ideas, yes, but all
       have  to  do  with  weird  physics  or  biology.   The  values  are
       Heinleinian,  as  are the characters.  (Whether this is good or bad
       is left as an exercise for the reader.)  In fact, I would  probably
       describe  _R_a_f_t  as  what  we  would have gotten had Hal Clement and
       Robert Heinlein ever collaborated.

       So join us in Holmdel  and  lend  your  opinion.   (Note:  _R_a_f_t  is
       available only in paperback, so you will probably have more luck at
       the bookstore than at your library, unless your library is  one  of
       the rare ones that buys paperbacks.)  [-ecl]

       2. Dale Skran announces another Japanese animation film festival:

       On Thursday, May 25, starting  at  7:00  PM  the  Leeperhouse  Film
       Festival  will  show  "Bubble  Gum  Crisis, Part II"--the last four
       episodes (i.e., 5-8).  Return to a  future  Cyberpunk  Japan  where
       vampire  androids,  robots,  giant  corporations, the police, and a
       group of adventurers in powered suits struggle for control  of  the
       future  direction  of  human  evolution.   A  fair  amount does get
       wrapped up in these episodes, but since there  is  sequel  ("Bubble
       Gum  Crash"--three episodes), don't expect total closure.  It helps
       to  have  seen  the  first  four  episodes,  but  the  stories  are
       reasonably self-contained.

       For those not familiar with Japanese animation,  expect  fast-paced
       action,  rock-n-roll,  English  subtitles,  and  more  violence and
       nudity than normally seen in US  animation.   The  backgrounds  are
       excellent,  the  imagination outstanding, the plots fairly complex,
       but the animation itself a bit on the cheap.  Not  for  the  little
       ones,  but if you'd let your kid see _T_e_r_m_i_n_a_t_o_r _I_I, nothing here is
       going to bother you here.  [-dls]

       3.It is the policy of this notice not to endorse  any  Presidential
       candidate.   I do, however, join the political pundits who say that
       for George Bush to win this election he's going to have to see what
       needs  to  be done and actually do it.  For George Bush to win he's
       going to have to  prove  he  still  stands  for  the  old-fashioned
       values.    He's  going  to  have  to  prove  his  integrity  in  an
       emergency.  George Bush is going to have to haul off and  give  Dan
       Quayle a good crack across the chops.

       Dan Quayle has called himself "the pit bull of the '92  elections."
       Quayle  has been pitbulling against the cultural elite.  I guess he
       must mean the people who watch  "Murphy  Brown."   But  now  he  is
       actually taking steps to improve the situation, at least as he sees
       it.  As part of his  pit  bull  campaign,  Quayle  was  running  an











       THE MT VOID                                                  Page 3



       elementary school spelling bee in Trenton, New Jersey.  That should
       be  harmless,  you'd  think.   "Potato,"  he  gave  young   William
       Figueroa.  Figueroa wrote "potato" on the board.  "No, you left out
       the 'e' at the end."  (It is true that vegetables have gone through
       a  bad time with this administration.  Broccoli has taken its licks
       from Bush.) Of course, Figueroa knew perfectly well  which  of  the
       two  of  them  needed a course in remedial spelling.  But he knew a
       little kid cannot correct a Vice-President.   On  the  other  hand,
       Bush  can  and  I  say he should.  One crack across the mouth would
       give the whole country  as  much  satisfaction  as  they  got  from
       winning the Persian Gulf War (back when we thought we did!).

       I  will  say  that  after  I  announced  my   candidacy,   campaign
       contributions  have  been  three  or four times what I expected.  I
       think I may form my own None of the Above political party.

       4. Does anyone have a copy of the March *1991*  _A_m_a_z_i_n_g  (with  the
       story  "Dog's  Life"  by  Martha Soukup) that I could borrow?  I've
       read all the Hugo nominees but this one, and naturally I can't find
       it anywhere.  [-ecl]


                                          Mark Leeper
                                          MT 3D-441 908-957-5619
                                           ...mtgzy!leeper


            God was able to create the world in only seven days
            because he had no installed base to consider.
                                -- Andy Finkel, Commodore-Amiga Inc.




































                            CLOVEN HOOVES by Megan Lindholm
                    Bantam Spectra, 1991, ISBN 0-553-29327-3, $4.99.
                           A book review by Evelyn C. Leeper
                            Copyright 1992 Evelyn C. Leeper



               I have to admit that the description of this book as being
          about a woman who leaves her husband to go to live with a faun in
          the forest did not make me want to run out and read it.  It sounded
          just a bit too "woodlands-cutesy."  But a friend who knows me said
          that I might enjoy it--it wasn't quite what I was thinking.

               Well, she was right that it wasn't woodlands-cutesy, and I
          think Lindholm shows promise, but I can't wholeheartedly recommend
          the book.  The problem is the characters--they are all one-
          dimensional (with the possible exception of the main character, who
          avoids being one-dimensional only be being a collection of quirks,
          "funny hats" in an almost literal sense, as her clothes are a large
          part of her characterization).  Take the husband, for example.  The
          whole point of his character is that he has no independence--he
          functions only as an appendage of his family.  The son seems present
          in the book only as a  plot device, not a fully realized character.
          Ironically, the faun is perhaps the most fully realized character--
          ironic because he is the one whose nature is the least complex.
          (Well, maybe it's not so ironic after all.)

               As far as the main character goes, she seems so spineless as to
          be almost a non-entity.  She puts up with an unbelievable amount of
          emotional abuse from her family and her husband's family until one
          day she just leaves and runs off with the faun.  Now I'm sure that
          there are people who put up with emotional abuse, so I can't say
          it's unrealistic, but I can say that to me it was unconvincing.
          Your mileage may vary.  (It shouldn't be necessary to say that in a
          review, but my experience is that it is.)

               Maybe this is all a modern-day fairy tale and I should look
          more at the meaning that at the characterization.  (How much
          personality did Snow White have?)  There is a power in Lindholm's
          writing that kept me reading even when I wanted to shake some life
          into the characters.  So I give _C_l_o_v_e_n _H_o_o_v_e_s a conditional
          recommendation.






















                                     ZENTROPA
                         A film review by Mark R. Leeper
                          Copyright 1992 Mark R. Leeper



                 Capsule review:  A weird and hypnotic film, but
            ultimately a disappointment.  The viewer is
            apparently hypnotized and regressed to be a German-
            American in Germany shortly after WWII.  He becomes a
            train conductor pulled into the conflict of the
            Americans against the anti-American resistance.
            Rating: high 0 (-4 to +4).

            You are being hypnotized and regressed to an earlier existence.
       The hypnotist puts you to sleep and makes you live the life of an
       American of German descent who went to Germany a few months after
       World War II ended to become a sleeping car conductor.  You are
       under the supervision of a stern uncle whom you have just met, and
       he pushes you through a Kafkaesque world that places impossible
       demands on you, all to meet the incredibly high standards of being a
       sleeping car conductor on the Zentropa train line.  But this is only
       the beginning.  You are about to be drawn into an intrigue that pits
       the Americans occupying Germany against werewolves--the secret
       German resistance against the occupation.

            _Z_e_n_t_r_o_p_a is a complex and confusing film, very heavy on style.
       Sometimes it is dense with ideas, sometimes totally
       incomprehensible.  It is filmed mostly in black and white with
       selective use of color.  Some scenes are all black and white, some
       are all color, some have only the foreground in color.  Sometimes
       just one object will be in color like in a Nuprin ad.  The black-
       and-white photography is usually crisp and sharp, with some amazing
       images.  One of the best is a train speeding through a tunnel seen
       from a few feet ahead with the smoke forming a streaming "hair-do"
       over the top of the train.

            _Z_e_n_t_r_o_p_a (original title: _E_u_r_o_p_a) is Danish director Lars Van
       Triers's strange look at Germany after war.  Parts of the world seem
       as if they could never have been.  The Zentropa Railroad is a world
       out of _B_r_a_z_i_l crossed with Kafka in which the individual is beaten
       into submission by the system.  In the film's one obvious joke, our
       main character has just had to pay for his uniform--which
       nevertheless belongs to the company--and several other expenses he
       must pay in order to start work on the railroad.  "I now understand
       German unemployment," he says.  "Nobody can afford to work."

            Ultimately _Z_e_n_t_r_o_p_a is a muddled thriller that only partly
       makes sense.  The viewer is never certain if the historical detail
       has any validity or is being made up from the whole cloth.  There
       are certainly moments of tension, but more of confusion.  It won the
       Jury Prize at the Cannes Film festival of 1991, but lost out to
       _B_a_r_t_o_n _F_i_n_k for the Golden Palm, at which Van Trier reportedly was
       extremely indignant.  Stylistically it is an achievement, but the
       viewer will have to decide if it is really is an entertainment
       experience.  For me it had all the elements to work but a few
       logical questions left unanswered.  For that I rate it a high 0 on
       the -4 to +4 scale.










        6TH ANNUAL SUMMER FESTIVAL OF FANTASY, HORROR, AND SCIENCE FICTION
     Film Forum, 209 West Houston Street, New York City, NY 10014, 212-727-8110



       Fri-Thu   Aug 14-20       THE TINGLER (in Percepto)
       Fri-Sat   Aug 21-22       DRACULA (new print); FRANKENSTEIN
       Sun-Mon   Aug 23-24       AELITA, QUEEN OF MARS; SHE (1935)
       Tue       Aug 25          THE BEAST FROM 20,00 FATHOMS
       Wed       Aug 26          HANGOVER SQUARE; THE UNDYING MONSTER
       Thu-Fri   Aug 27-28       DIABOLIQUE; EYES WITHOUT A FACE
       Sat-Mon   Aug 28-31       INVADERS FROM MARS (1953);
                                      THE 5,000 FINGERS OF DR. T.
       Tue-Wed   Sep 01-Sep 02   DELUGE; CHANDU THE MAGICIAN
       Thu       Sep 03          BRIDE OF THE GORILLA;
                                      THE NAVY VS. THE NIGHT MONSTERS
       Fri-Mon   Sep 04-07       PHANTOM OF THE RUE MORGUE (in 3-D);
                                      SEA DREAM (in 3-d) (Friday only!)
       Tue-Wed   Sep 08-09       PLAN 9 FROM OUTER SPACE; NIGHTS OF THE GHOULS;
                                      JAIL BAIT
       Thu-Sat   Sep 10-12       VAMPIRE HUNTER D (animated);
                                      AKIRA (in Japanese with English subtitles)
       Sun-Mon   Sep 13-14       THE DAY THE EARTH STOOD STILL;
                                      THE DAY THE EARTH CAUGHT FIRE;
                                      THE DAY OF THE TRIFFIDS
       Tue-Wed   Sep 15-16       THE MAZE (in 3-D); CAT WOMEN OF THE MOON
       Thu-Sat   Sep 17-19       THE BLOB; WORLD WITHOUT END
       Sun-Mon   Sep 20-21       PANDORA AND THE FLYING DUTCHMAN;
                                      BELL, BOOK AND CANDLE
       Tue       Sep 22          KRONOS; WOMEN OF THE PREHISTORIC PLANET
       Wed-Thu   Sep 23-24       CREATURE FROM THE BLACK LAGOON (in 3-D);
                                      REVENGE OF THE CREATURE;
                                      THE CREATURE WALKS AMONG US