@@@@@ @   @ @@@@@    @     @ @@@@@@@   @       @  @@@@@ @@@@@ @@@
         @   @   @ @        @ @ @ @    @       @     @   @   @   @   @  @
         @   @@@@@ @@@@     @  @  @    @        @   @    @   @   @   @   @
         @   @   @ @        @     @    @         @ @     @   @   @   @  @
         @   @   @ @@@@@    @     @    @          @      @@@@@ @@@@@ @@@

                        Mt. Holz Science Fiction Society
                    Club Notice - 06/11/93 -- Vol. 11, No. 50


       MEETINGS UPCOMING:

       Unless otherwise stated, all meetings are in Holmdel 4N-509
            Wednesdays at noon.

         _D_A_T_E                    _T_O_P_I_C

       06/23  CHINA MOUNTAIN ZHANG by Maureen McHugh
                       (Non-European Futures)
       07/14  SIGHT OF PROTEUS by Charles Sheffield (Human Metamorphosis)
       08/04  Hugo Short Story Nominees
       08/25  CONSIDER PHLEBAS by Iain Banks
                       (Space Opera with a Knife Twist)
       09/15  WORLD AT THE END OF TIME by Frederik Pohl
                       (Modern Stapledonian Fiction)

       Outside events:
       07/31  Deadline for Hugo Ballots to be postmarked
       The Science Fiction Association of Bergen County meets on the second
       Saturday of every month in Upper Saddle River; call 201-933-2724 for
       details.  The New Jersey Science Fiction Society meets on the third
       Saturday of every month in Belleville; call 201-432-5965 for details.

       HO Chair:     John Jetzt        HO 1E-525  908-834-1563 holly!jetzt
       LZ Chair:     Rob Mitchell      HO 1C-523  908-834-1267 holly!jrrt
       MT Chair:     Mark Leeper       MT 3D-441  908-957-5619 mtgzfs3!leeper
       HO Librarian: Nick Sauer        HO 4F-427  908-949-7076 homxc!11366ns
       LZ Librarian: Lance Larsen      LZ 3L-312  908-576-3346 quartet!lfl
       MT Librarian: Mark Leeper       MT 3D-441  908-957-5619 mtgzfs3!leeper
       Factotum:     Evelyn Leeper     MT 1F-329  908-957-2070 mtgpfs1!ecl
       All material copyright by author unless otherwise noted.

       1.  There  are  two  good  books  on  film  that  are  handy  quick
       references.   One  is  by Leonard Maltin; one is by Steven Scheuer.
       Each rates films on a scale of one to four stars.  My ratings don't
       correlate  perfectly  with  theirs,  but  we  are  close.  I am not
       certain, but I think our next film festival will be our  first  16-
       star  film  festival.   Both  films get the highest possible rating
       from both critics.  On June 10 at 7 PM (*SHARP!*), we will show:













       THE MT VOID                                                  Page 2



       Peter O'Toole Henry II Films
       BECKET (1964) dir. by Peter Glenville
       THE LION IN WINTER (1968) dir. by Anthony Harvey

       _B_e_c_k_e_t is the retelling  of  Henry's  relationship  with  Thomas  a
       Becket  (Richard Burton), once a close friend, whom he installed as
       the Archbishop of Canterbury, an action he later  grew  to  regret.
       _T_h_e  _L_i_o_n  _i_n _W_i_n_t_e_r by James Goldman, based on Goldman's own play,
       tells the story of the fierce battles between Henry and  his  wife,
       Eleanor  of  Aquitaine (played by Katharine Hepburn), with the fate
       of England in the balance.  Superbly scripted, acted,  and  scored,
       many people I know consider this one of their favorite films.  Also
       starring are Anthony Hopkins, Nigel Terry  (who  played  Arthur  in
       _E_x_c_a_l_i_b_u_r), and Timothy Dalton (who is the latest James Bond).

       Please be ON TIME.  This is 4 hours and 43 minutes of great cinema.

       2. It has been announced that _B_a_b_y_l_o_n _5 will indeed be a television
       series  starting  January, 1994.  It certainly looked like it could
       make intelligent television science fiction and  the  visuals  were
       just stunning.  I look forward to the series.

       3. ClariNet Communications is offering for  sale  _H_u_g_o  _a_n_d  _N_e_b_u_l_a
       _A_n_t_h_o_l_o_g_y _1_9_9_3, a CD-ROM containing all the Hugo-nominated fiction,
       all the Nebula-nominated short fiction, the Hugo-nominated artworks
       and  portfolios  of  the  Hugo-nominated  artists, samples of Hugo-
       nominated fan writing, fanzines, and fan  art,  author  photos  and
       bibliographies,  audio  selections  of  author  readings, hypertext
       edition of _A _F_i_r_e _U_p_o_n  _t_h_e  _D_e_e_p  with  Vinge's  own  annotations,
       science  fiction  databases,  and more.  It requires MS-Windows and
       costs $29.95.  Contact ClariNet regarding Mac and DOS availability,
       and  availability  via floppy disks, networks, or modems.  ClariNet
       can be reached at info-sf@clarinet.com: 408-296-0366: FAX  408-296-
       1668:   P.  O.  Box  1479,  Cupertino  CA 95015; MODEM 408-296-3733
       LOGIN: sf.

       [Included on this CD are my Boskone 29  convention  report  and  my
       book  review  of  Kim  Stanley  Robinson's _R_e_m_a_k_i_n_g _H_i_s_t_o_r_y.  It is
       unclear at this time what, if any, payment I will be  getting,  but
       just  so this is not construed as a commercial announcement, I want
       to say that my  royalties  will  be  donated  to  the  George  Alex
       Effinger Medical Fund.  -ecl]


                                          Mark Leeper
                                          MT 3D-441 908-957-5619
                                           ...mtgzfs3!leeper


            It is impossible to imagine the universe run by a wise,
            just and omnipotent God, but it is quite easy to
            imagine it run by a board of gods.  If such a board
            actually exists it operates precisely like the board of
            a corporation that is losing money.
                                          -- H. L. Mencken











                         Five-Minute Retrospective of SF
                                 by Connie Willis
                  (presented at the 1993 Nebula Awards banquet)



       "You see, I had this space suit."

       "I took nothing with me, not even a coat."

       "And _f_i_v_e!  And _f_o_u_r!  And _t_h_r_e_e!  And _t_w_o!  And--"  Castor's chant
       was blanked out by the blazing "white noise" of the jet...

       "Gosh," I said.  "What I wouldn't give to go with them?  What
       wouldn't I give?"
              Dominic Flandry
              Gulliver Foyle
              Lazarus Long
              Rick Deckard
              Willy McGilly
              Paul Muad'Dib
              John Grimes
              Susan Calvin
              Teela Brown
              Roger Torraway
              Nicholas van Rijn
              Harrison Bergeron
              Valentine Michael Smith

       And you--with your aftershave lotion and your little red car,
       pushing papers across a desk all day and chasing tail all night--
       tell me, just how the hell do you think you would look to Tiglath-
       Pileser, say, or Attila the Hun?

       "_I _k_n_o_w where _I came from--but _w_h_e_r_e _d_i_d _a_l_l _y_o_u _z_o_m_b_i_e_s _c_o_m_e _f_r_o_m?"

       First Law: A robot may not injure a human being or, through
       inaction, allow a human being to come to harm.
              Ralph 124C41+
              Radius
              Robbie
              Rachael
              Helen O'Loy
              St. Aquin
              Sigfrid von Shrink
              HAL

       He doesn't know which one of us I am these days...

       Dr. Strauss says I shud rite down what I think and evrey thing that
       happins to me from now on.











       5-Min Retrospective of SF  April 18, 1993                     Page 2



       _I _d_i_d_n'_t _d_o _a_n_y_t_h_i_n_g _t_o _d_i_e _f_o_r -- _I _d_i_d_n'_t _d_o _a_n_y_t_h_i_n_g--

       "Who Goes There?"
              the People
              the Underground
              the Overlords
              the Kwisatz Haderach
              the Lensman
              the Gray Mouser
              the Heechee
              the Bodysnatchers
              the Triffids
              the Taurans
              the Martians

       "I said, where do you think you're going?"
       "For a drink of water."
       "But you're not thirsty."

       And then he perceived that, very slowly, the circular top of the
       cylinder was rotating on its body.

       "It's a cookbook," he said.

       "I said, where do you think you're going?"
              Barsoom
              Vulcan
              Arrakis
              Alpha Ralpha Boulevard
              Perelandra
              Pern

       Leaving the village behind, we followed the heady sweeps of road up
       onto a land of slowglass.

       Titan
       Trantor
       Terminal Beach
       Majipoor
       Marsport
       Murdstone
       the Milky Way

       "Stars--all the stars--we didn't know at all."

       After a while, he touched the sky with one hand.

       Overhead, without any fuss, the stars were going out.

       "I make you great.  I give you the stars."
















                                    Four Films
                         A film review by Mark R. Leeper
                          Copyright 1993 Mark R. Leeper



            One of the things I like to do occasionally in my film reviews
       is to make reference to some very good film that I doubt most of my
       readers have heard of and that I would like to call some attention
       to.  There are a lot of decent films, and a handful of very good
       ones, that at this point may exist only in the film libraries of
       obscure television stations, and when these few prints disappear the
       films will be gone.  I would like to generate some interest in four
       of these films, if not to help save them, at least to alert people
       that if you do get a chance to see these films, it is a rare chance
       and you should give them a try.

            Of course, there are a lot of obscure films that are showing up
       on videotape today, many of them very poorly-made films, and it is
       ironic that some terrific films are being over-looked, but in each
       case I think I can understand why some producer would think the film
       would not sell well on tape.  There are three science fiction films
       and one horror film.  However, none of the film has special effects.
       Particularly for science fiction, people have come to expect visual
       effects.  I guess they feel that if they do not really enjoy the
       story then at least there will be something  interesting to watch.
       These films are just actors in front of a camera, perhaps with a
       very rudimentary make-up effect thrown in (but very little).  Three
       of the films are in black and white and unfortunately that is also
       considered to be a strike against a film.  I still recommend these
       films highly to watch for.


               _T_h_e _M_i_n_d _B_e_n_d_e_r_s (1962) (directed by Basil Dearden)

            This film combines Cold War thriller elements with science
       fiction and a compelling human story.  A scientist working on
       sensory deprivation commits suicide and is discovered to have been
       passing secrets to the Soviets.  Was he to blame or could his mind
       have been twisted while under the influence of the sensory
       deprivation tank?  The government decides to experiment to find out.
       Another scientist working in the same field (played by Dirk Bogarde)
       is very devoted to his wife and family.  Can they change that in his
       personality while he is in the tank?  This film is well-acted,
       enthralling, and atmospheric.


                _U_n_e_a_r_t_h_l_y _S_t_r_a_n_g_e_r (1963) (directed by John Kirsh)

            A secret project is working on space exploration right in the
       heart of London.  The approach to exploration is a novel one.
       Rather than sending the whole human into space, they are working on










       Four Films                  May 16, 1993                      Page 2



       a sort of technological out-of-body experience.  Project your mind
       to another planet and there have it take on physical
       form ... invasion by mental projection.  The rub is that scientists
       on the project are being killed in some mysterious way involving
       super-high energy.  And the wives of some of the scientists seem to
       have no background that project security can trace.  The script is
       tense and the acting is quite good, with a cast that includes John
       Neville (_A _S_t_u_d_y _i_n _t_e_r_r_o_r, _T_h_e _A_d_v_e_n_t_u_r_e_s _o_f _B_a_r_o_n _M_u_n_c_h_a_u_s_e_n) and
       Jean Marsh (_U_p_s_t_a_i_r_s, _D_o_w_n_s_t_a_i_r_s).  (This film is so obscure that
       Leonard Maltin's usually very complete _M_o_v_i_e _a_n_d _V_i_d_e_o _G_u_i_d_e
       overlooks it.)


                  _D_a_r_k _I_n_t_r_u_d_e_r (1965) (directed by Harvey Hart)

            This film is only 59 minutes long and originally was intended
       as a television pilot, but was released to theaters to play with
       films such as William Castle's _I _S_a_w _W_h_a_t _Y_o_u _D_i_d--which it far
       out-classed.  Leslie Nielson plays a detective in late 19th Century
       San Francisco whose foppish appearance hides a man very
       knowledgeable and adept in matters of the occult and the
       supernatural.  A series of unsolved murders and a friend's blackout
       spells may be connected and have some occult significance.  Mark
       Richman and Werner Klemperer also star.  The latter, best known as
       the gullible commandant from _H_o_g_a_n'_s _H_e_r_o_e_s, does a terrific job in
       a sinister role.


                 _Q_u_e_s_t _f_o_r _L_o_v_e (1971) (directed by Ralph Thomas)

            This film is loosely adapted from the short story "Random
       Quest" by John Wyndham.  Colin Trafford (played by Tom Bell) is a
       leading scientist at Britain Imperial Physical Institute when one of
       his experiments goes wrong.  Suddenly he finds himself in a parallel
       London in a parallel Britain that has not been to war since the
       Great War in the early part of the century.  Trafford here is not a
       physicist, but a popular playwright.  He is also now married to a
       beautiful woman (played by Joan Collins) whose life he has made
       miserable with his selfish ways and his philandering.  Can Colin
       convince the world he is the playwright while convincing his new
       wife that he is different?  Then there are plot complications that
       lead to a fast-paced climax across parallel worlds.  Denholm Elliot
       also stars in the story which is part science fiction adventure and
       part love story.


            Of these four films only the last is in color.  At present, the
       only one available on video, _U_n_e_a_r_t_h_l_y _S_t_r_a_n_g_e_r, is offered only by
       a tiny specialty house, Sinister Cinema.  Of the four, only _Q_u_e_s_t
       _f_o_r _L_o_v_e has played on New York area television in the last fifteen
       years.  I would much like to get my hands on copies of _T_h_e _M_i_n_d
       _B_e_n_d_e_r_s or _D_a_r_k _I_n_t_r_u_d_e_r.














                              MUCH ADO ABOUT NOTHING
                         A film review by Mark R. Leeper
                          Copyright 1993 Mark R. Leeper


		    From Branagh and his wife comes _M_u_c_h _A_d_o,
		    The Shakespeare comedy of love and tricks.
		    Just sit and see the pleasant Tuscan view
		    As folks play out romantic politics.

		    Keanu Reeves seems vaguely out of place,
		    And Washington is not the usual hue
		    Don Pedro has been cast.  But give some space
		    To Branagh while he does his _M_u_c_h _A_d_o.

		    With Branagh's hand this seems a modern play;
		    The pace is fast and Shakespeare pleases much.
		    His comedy still works for us today,
		    Uneven though it is with Keaton's touch.

		    In short I'd say this Branagh _M_u_c_h _A_d_o
		    To no surprise doth earn a high +2.





































































               THIS PAGE INTENTIONALLY LEFT ALMOST BLANK