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                        Mt. Holz Science Fiction Society
                    Club Notice - 04/08/94 -- Vol. 12, No. 41


       MEETINGS UPCOMING:

       Unless otherwise stated, all meetings are in Middletown 1R-400C
            Wednesdays at noon.

         _D_A_T_E                    _T_O_P_I_C

       04/20  VALIS by Philip K. Dick

       Outside events:
       The Science Fiction Association of Bergen County meets on the second
       Saturday of every month in Upper Saddle River; call 201-933-2724 for
       details.  The New Jersey Science Fiction Society meets on the third
       Saturday of every month in Belleville; call 201-432-5965 for details.

       HO Chair:     John Jetzt        MT 2G-432  908-957-5087 holly!jetzt
       LZ Chair:     Rob Mitchell      HO 1C-523  908-834-1267 holly!jrrt
       MT Chair:     Mark Leeper       MT 3D-441  908-957-5619 mtgzfs3!leeper
       HO Librarian: Nick Sauer        HO 4F-427  908-949-7076 hogpa!11366ns
       LZ Librarian: Lance Larsen      HO 2C-318  908-949-4156 quartet!lfl
       MT Librarian: Mark Leeper       MT 3D-441  908-957-5619 mtgzfs3!leeper
       Factotum:     Evelyn Leeper     MT 1F-329  908-957-2070 mtgpfs1!ecl
       All material copyright by author unless otherwise noted.

       1. Guys, it's that time of year again.  Spring.   This  winter  was
       too  cold to go out and do things.  Maybe you have a bit of a spare
       tire around the middle.  It is time to get  into  shape.   But  you
       have  a  bit of a dilemma.  It is also the 90s.  Do you really want
       to build up your muscles the way they show you on those NordicTrack
       commercials?   You  see those guys on those things.  Bronze statues
       who have meat all over  their  bodies  right  up  to  their  heads.
       Surfboard  types  who  go to Fort Lauderdale and leer at the women.
       Is that how you want to get into shape?  Wake up.   These  are  the
       politically  correct  90s.  There has got to be a sensitive New Age
       way of getting into shape that is as "with it" as pierced eyebrows.
       Don't  just  exercise,  EmpaTHIZE!  That's right, I said EmpaTHIZE!
       Build up your Political Consciousness  while  you  build  up  those
       Pecs.   And  build  them  up  the  right way.  EmpaTHIZE is the one
       exercise program specially designed by experts not  to  create  the
       Arnold  Schwarzenegger  look,  but  to build you into the Alan Alda
       that you always wanted to be.   You'll  learn  the  Andrea  Dworkin











       THE MT VOID                                                  Page 2



       Crunch.   You'll build up your posture with Susan Faludi Frontlash.
       Build up your arm strength with the Starhawk  Flutter.   Tone  your
       legs  with the Laura Stempel Stretch.  Increase your endurance with
       the Susan Sontag Squat-thrust.  Build yourself into  the  sensitive
       90s  guy  you have always knew you could be.  Get with the exercise
       program as powerful as the movement that inspired it.  Be  part  of
       the  super-sensitive  90s  and  live to see the next century.  Read
       _E_m_p_a_T_H_I_Z_E by Mark Leeper, author of _M_a_s_t_e_r _S_t_r_a_t_e_g_i_e_s _f_o_r _t_h_e  _9_0_s,
       _C_h_a_r_t_r_e_u_s_e,  _T_h_e  _D_o_r_o_t_h_y _E_x_p_e_d_i_t_i_o_n and _W_h_e_n _G_o_o_d _T_h_i_n_g_s _H_a_p_p_e_n _t_o
       _P_e_o_p_l_e  _Y_o_u  _C_a_n'_t  _S_t_a_n_d.   Soon  to  be  at   better   bookstores
       everywhere.


       ===================================================================

       2. SNOW WHITE, BLOOD RED edited by Ellen Datlow and Terri  Windling
       (AvoNova,  ISBN 0-380-71875-8, 1993, 411pp, US$4.99) (a book review
       by Evelyn C. Leeper):

       There is a revival in the fairy tale (or _m_a_r_c_h_e_n, to use the German
       word, since as Windling points out in her introduction, there is no
       true English equivalent).  One even sees panels on them at  science
       fiction  conventions--and  not  in the children's programming.  The
       twenty authors here have also returned them to their adult  origins
       after  decades (or more) of being watered down for children (though
       some--Hansel and Gretel, for example--would  be  hard  to  sanitize
       without destroying them completely).

       The authors split about fifty/fifty on  how  they  do  this.   Some
       retain  the  ancient,  never-never land settings for their stories.
       Others move them into modern cities and give their characters urban
       apartments  and  VCRs  instead of cottages and magic mirrors.  This
       follows the pattern of the "Fairy Tale" books that Windling  edits,
       and  _S_n_o_w  _W_h_i_t_e,  _B_l_o_o_d  _R_e_d  could  be considered as part of that
       series.  (It's not officially, of course, since the series name  is
       owned  by  Tor.   Still  if there were no labels on the books, this
       would certainly _l_o_o_k like part of the same series, especially  with
       the gorgeous Tom Canty cover.)

       I never thought of myself as  a  fan  of  fairy  tales,  so  I  was
       somewhat  surprised  to  find  myself  enjoying  several  of  these
       stories.  Not all, mind you, and the ones I enjoyed  seemed  to  be
       mostly  the  ones that frame an old fairy tale in a modern setting.
       (I've also recently enjoyed _T_h_e _W_a_r _f_o_r _t_h_e _O_a_k_s by Emma Bull, _J_a_c_k
       _t_h_e  _G_i_a_n_t-_K_i_l_l_e_r by Charles de Lint, and _B_r_i_a_r _R_o_s_e by Jane Yolen,
       the latter two also from the "Fairy Tale" series.)  Even if you are
       not  a  fantasy  reader, you might want to give the stories in _S_n_o_w
       _W_h_i_t_e, _B_l_o_o_d _R_e_d a try.  Or perhaps  especially  if  you're  not  a
       fantasy  reader,  since it almost seems to have been designed as an
       introduction to the modern fairy  tale,  complete  with  essays  by
       Windling  and  Datlow,  and  a recommended reading list at the end.











       THE MT VOID                                                  Page 3



       (The latter, by the way,  lists  several  out-of-print  books,  but
       inexplicably--to  me, anyway--omits the Charles Lang "Fairy Books,"
       which are where my mother first read her fairy tales and are  still
       in print from Dover.)


       ===================================================================

       3. THE LIST OF 7 by Mark Frost (Morrow, ISBN  0-688-12245-0,  1993,
       368pp, US$20) (a book review by Evelyn C. Leeper):

       Sherlock Holmes  is  a  fictional  character  whose  use  is  still
       restricted  by  copyright  (at least that is my understanding). But
       Sir Arthur Conan Doyle was a real person whose use as  a  character
       in  a  novel  is not restricted.  This, I believe, is what led Mark
       Frost to write  a  novel  with  Arthur  Conan  Doyle  as  the  main
       character and another character very similar to Sherlock Holmes but
       not called Sherlock Holmes--it has all the  cachet  of  a  Sherlock
       Holmes novel without the legal hassle.

       It also allows Frost to use Doyle's interest in the occult  without
       inflecting  it  on  the  ultra-rational Sherlock Holmes.  And Frost
       really pours on the horror and the occult, both  the  psychological
       horror  of  an unbalanced personality and the more classical horror
       of monsters, reincarnated spirits,  and  Egyptian  magic.   Doyle's
       friendship with Bram Stoker also figures in, and mention is made of
       a ship carrying wooden boxes landing at Whitby and  a  dog  jumping
       off it and running up the beach.

       The Sherlock Holmes character is  different  enough  from  Sherlock
       Holmes to have his own personality, while retaining all of Holmes's
       talents and techniques.  At first I  thought  the  ending  a  cheap
       trick,  but on reflection concluded that it was not just thrown in,
       but in fact formed the logical conclusion of the novel.

       _T_h_e _L_i_s_t _o_f _7 is not technically a Sherlock Holmes  novel,  but  it
       should  appeal  to  Sherlock Holmes fans, especially those who also
       enjoy Victorian horror novels.  (Mark Frost  was  one  of  the  co-
       creators  of  "Twin  Peaks,"  if  that  gives  you some clue to the
       style.)


       ===================================================================

       4. FOUR WEDDINGS AND A FUNERAL (a film review by Mark R. Leeper):

            Capsule review:  _F_o_u_r _W_e_d_d_i_n_g_s  _a_n_d  _a  _F_u_n_e_r_a_l  has
            humor,  good  dialogue,  people  the  audience cares
            about, all to tell a story with just  a  wisp  of  a
            plot.   With  a  genuine plot this could have been a
            film really worth seeing.  Rating: +1 (-4 to +4)











       THE MT VOID                                                  Page 4



       There is a lot of truth in advertising in the title of the  British
       comedy  _F_o_u_r  _W_e_d_d_i_n_g_s _a_n_d _a _F_u_n_e_r_a_l.  This is a film that is about
       80% happiness and 20% pain.  Hugh Grant plays Charles,  a  bachelor
       who  tells  himself  that  he  is  looking  for  a  wife but is too
       indecisive and unwilling to commit to any one woman.  So he goes to
       wedding   after   wedding   getting   increasingly   desperate  and
       frustrated.  One  after  another  marriage  picks  off  members  of
       Charles's  group  of  close-knit  friends.   The  group is centered
       around the flamboyant Garath,  played  superbly  by  Simon  Callow.
       Both  the  character and the actor are incorrigible scene stealers,
       upstaging everybody else in sight.  Charles has flitted from  woman
       to woman without ever deciding on one.  The only woman really close
       to him is Scarlett who is either a sister or a fraternal friend and
       housemate.   However  Charles's  latest  interest  is in a visiting
       American, Carrie (Andie MacDowell) who seems to  be  going  to  the
       same  weddings.  Charles finds Carrie very attractive--and is often
       tongue-tied in her presence--and almost would be willing to  commit
       to  her.   The two exchange intimacies of various kinds but neither
       can really decide to marry the other.

       This film is a  portrait  of  Charles  and  as  with  many  painted
       portraits,  most  of  the interest is in the background.  Charles's
       friends may well have more interesting stories to tell than Charles
       does.   The  film  lets  you  do  some  jigsaw puzzle work to piece
       together the stories of  some  of  the  friends.   The  script  was
       written  by  Richard  Curtis, one of the founding forces of British
       TV's "Black Adder" series.  Here his writing combines the slapstick
       of  that show's style with more subtle personal drama.  Everybody's
       worst nightmares about just  what  could  go  wrong  at  a  wedding
       combine  with  visual  gags, dialogue gags, and even subtitle gags.
       Hugh Grant is boyish and pleasant enough but not always  believable
       as  Charles.   He  is  the  current  holder  of the Anthony Hopkins
       Ubiquity Award for simultaneously being in this  film,  in  _S_i_r_e_n_s,
       and  in  Roman  Polanski's _B_i_t_t_e_r _M_o_o_n.  (Of course some of us will
       remember him best as a gay Cantabrigian in _M_a_u_r_i_c_e or a kilted Scot
       in _L_a_i_r _o_f _t_h_e _W_h_i_t_e _W_o_r_m.)  Ironically, Andie MacDowell is central
       to the  story  without  having  much  of  a  role  except  to  look
       attractive.   Scarlett,  the sister or whatever, is actually a more
       intriguing role than is Carrie.  But the plum role, of  course,  is
       Garath,  whose boisterous love of life makes him the focal point of
       so much of the film.

       This is a decidedly lightweight film but well made and one that has
       occasionally  very  funny gags.   I would give it a +1 on the -4 to
       +4 scale.


                                          Mark Leeper
                                          MT 3D-441 908-957-5619
                                          leeper@mtgzfs3.att.com

            The world is a funny paper read backwards--and that
            way it isn't so funny.
                                          -- Tennessee Williams