MT VOID 09/23/22 -- Vol. 41, No. 13, Whole Number 2242

MT VOID 09/23/22 -- Vol. 41, No. 13, Whole Number 2242

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09/23/22 -- Vol. 41, No. 13, Whole Number 2242

Table of Contents

      Co-Editor: Mark Leeper, Co-Editor: Evelyn Leeper, Sending Address: All material is copyrighted by author unless otherwise noted. All comments sent or posted will be assumed authorized for inclusion unless otherwise noted. To subscribe or unsubscribe, send mail to The latest issue is at An index with links to the issues of the MT VOID since 1986 is at

Stanislav Yevgrafovich Petrov (comments by Evelyn C. Leeper):

On 26 September 1983, Stanislav Yevgrafovich Petrov probably averted nuclear war. Shortly after the Soviet military had shot down Korean Air Lines Flight 007, the Soviet nuclear early-warning system reported that a missile had been launched from the United States. As Wikipedia describes it, "Petrov judged the reports to be a false alarm, and his decision to disobey orders, against Soviet military protocol, is credited with having prevented an erroneous retaliatory nuclear attack on the United States and its NATO allies that could have resulted in a large-scale nuclear war."

So on Monday, raise a glass to Stanislav Yevgrafovich Petrov.

[See also Vasily Aleksandrovich Arkhipov and the Cuban Missile Crisis.]


CYPHER (2002) (film review by Mark R. Leeper):

[In honor of CYPHER's 20th anniversary on October 1, here is a revision of Mark's 2002 review of that film.]

Vincenzo Natali's follow-up to the 1996 CUBE is in nearly all ways a science fiction outing superior to his previous film. Brian King's screenplay make this a fast paced science fiction adventure very much of the style of Philip K. Dick. Jeremy Northam is a total nebbish who gets to lead a double (and then triple) life in the shady world of industrial espionage. He is hired to go to business presentations that are so dull they put the participants to sleep. Then he finds out what is *really* going on. Also starring is Lucy Liu in a role that might have been better without a martial artist. This is a surprisingly deft film with a pace that just keeps building as the film progresses.

Many science fiction films of the last few years are based on the writings of Philip K. Dick. Somehow his paranoid view of the nature of reality, and how it can be completely different than it is perceived is an idea that appeals to filmgoers. CYPHER is not a film that is based on any Dick story, but Brian King's script captures Dick paranoid atmosphere perhaps better than any other film ever has. Morgan Sullivan (played by Jeremy Northam) is a nerdish sort dominated by his overbearing wife. But the job he is taking is anything but nerdish. DigiCorp and Sunways are among the two most powerful corporations in the world. They are vicious rivals. DigiCorp has hired him to spy on Sunways. His job is to not be very noticeable. He is to attend conferences under the false name Jack Thursby and during the conference to turn on a recorder disguised as a pen. Sullivan is fascinated by his new world of codes and skullduggery and allows himself to be pulled into the strange labyrinth of industrial espionage and the cold war of the two giant corporations. Almost immediately the boring conferences get more interesting when he starts seeing an Asian woman (Lucy Liu) who may also be playing the same game.

Though films with a similar plot have been made, I found this one genuinely exciting, and to me it has the feel of a science fiction novel. While some of the ideas now familiar, standard paranoiac fantasies, I think the execution is great, creating genuine excitement. This is a lot for a seven-million-dollar production to do. The film has little homages to films like NORTH BY NORTHWEST, SECONDS, and THE MANCHURIAN CANDIDATE.

There are some interesting visual tricks. The film begins almost black and white as Sullivan is unsure of himself in the shadowy world of industrial espionage. As his character develops and becomes more sure of himself the colors fill in more and more vivid. Sullivan's very world has changed. Jeremy Northam traverses the path from nerdish to superman with impressive grace. Only Lucy Liu seems a little out of place in a role that really did not need her martial arts skills, but could have used an actress that fitted in better with the story. Director Vincenzo Natali (CUBE, NOTHING, and SPLICE) has a sure hand and could be a major talent.

This film is actually much better than Natali's higher profile films CUBE and SPLICE. I rate it a +3 on the -4 to +4 scale or 9/10.

Film Credits:

What others are saying:

CYPHER plays occasionally on cable and it available from NetFlix.


This Week's Reading (book comments by Evelyn C. Leeper):

When I started reading science fiction in high school and college, I read the classic authors of the time: Asimov. Clarke, Heinlein, and later Hal Clement and Robert Silverberg, and (in a retro moment) Olaf Stapledon. Time passed, and my "go-to" authors became authors such Kim Stanley Robinson and Connie Willis. (Along the way Jorge Luis Borges became a permanent fixture.)

Then I went through a phase of focusing on less well-known authors: Jeffrey E. Barlough and Christopher Priest for novels, and Bao Shu, Ted Chiang, Rhys Hughes, and Ken Liu for short fiction. (Okay, Ted Chiang is not exactly obscure, nor is Ken Liu.)

And now? My "go-to" authors of today are Becky Chambers, Sylvia Garcia-Moreno, and Martha Wells.

So my current reading that I would recommend (without long or even short reviews) includes Ted Chiang's "Op-Ed from the Future--It's 2059 and the Rich Kids Are Still Winning" (, Ken Liu's "Timekeeper's Symphony" (, Becky Chambers's RECORD OF A SPACEBORN FEW, and Sylvia Garcia-Moreno's THE DAUGHTER OF DOCTOR MOREAU. [-ecl]

                                          Mark Leeper

Quote of the Week:

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         family in another city.
                                          --George Burns

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