@@@@@ @ @ @@@@@ @ @ @@@@@@@ @ @ @@@@@ @@@@@ @@@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @@@@@ @@@@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @@@@@ @ @ @ @ @@@@@ @@@@@ @@@
Mt. Holz Science Fiction Society 11/06/20 -- Vol. 39, No. 19, Whole Number 2144
Table of Contents
Una O'Connor (comments by Mark R. Leeper):
Una O'Connor was the Jar Jar Binks of her age. [-mrl]
Entropy (comments by Mark R. Leeper):
Mark Leeper's Journal, December 9, 1988
As I promised last week I would explain a study I am doing on entropy. As you probably know, universal entropy increases. This means things get more mixed up. If you put red marbles and green marbles in a large Tupperware snuff mull and shake them up and look inside, it is unlikely that all the green marbles are together and all the red marbles are together. The highest probability is that they will be mixed together and no amount of shaking the mull will separate them. Entropy says things get more mixed up. (I tell people that things are getting more confused, but they tell me the problem is all in my mind.)
Anyway, one cannot decrease the overall entropy of a closed system. You can make a machine that will cool your Jolt cola and blow hot air out the bottom, but it has to expend energy to do it and that energy is dissipated as heat. These forces clearly apply universally or they are not true at all. It has been observed that the rich get richer and the poor get poorer. This goes against entropy in a limited area but that area is not a closed system. In fact, if the rich get richer and the poor get poorer, such a system must be expending energy as heat. This heat gets observed as racial friction leading to long hot summers. It may also be generally contributing to the heating up of the Earth's surface which will change climates so that our growing seasons will be affected and we will have more droughts. Poorer nations will get richer; richer nations will get poorer. Entropy will win out in the end.
Anyone know if you can get Nobel prizes in economics *and* physics for the same work?
In our last MT VOID, Estes Slade was told to look up the definition of "disenfranchised." He did so and this is what he reports:
"dis-en-fran-chised - 1. Being formally part owner of a small hamburger chain. 2. An ex-citizen of France. 3. An over-weight person having had a stuck French fry removed from the lower gut."
So now you all know.
And What May Be the Freakiest Bizarre Animal Story of the Year (comments by Evelyn C. Leeper):
Well, we've swarms of locusts in Africa, dangerous funnel-web spiders in Australia, Pablo Escobar's hippopotamuses as an invasive species in Columbia, iguanas falling from tress in Florida, wild boar on the streets of Barcelona, mountain goats in a town in Wales, whales in the Mediterranean shipping lanes, seagulls in Rome hunting rats and pigeons, and murder hornets. But the latest story may have the best headline:
"Escaped cloned female mutant crayfish take over Belgian cemetery"
And we thought we had social unrest. [-mrl]
Ed Bishop (letter of comment by Paul Dormer):
In response to Evelyn's comments on Ed Bishop in the 10/30/20 issue of the MT VOID, Paul Dormer writes:
[Evelyn wrote,] "The only problem is that whenever I hear Ed Bishop in anything else, I immediately think, "What is Philip Marlowe doing in this?" [-ecl]
For me, Bishop is always Commander Straker in UFO, although he was also the voice of Captain Blue in CAPTAIN SCARLET AND THE MYSTERONS, which I watched when it first came out. [-pd]
This Week's Reading (book comments by Evelyn C. Leeper):
Time Magazine just ran its list of "100 Best Fantasy Books of All Time" and naturally there are objections. (See https://time.com/collection/100-best-fantasy-books/ for the list.)
One big objection is that Time gives three slots to J. R. R. Tolkien's THE LORD OF THE RINGS, separate slots to Lewis Carroll's ALICE'S ADVENTURES IN WONDERLAND and THROUGH THE LOOKING-GLASS, and two slots to two parts of Philip Pullman's HIS DARK MATERIALS, both of which are really one work in three volumes. Of course, everyone disagrees on what should go in the four slots that would be produced. My suggestion for one of them is Homer's ILIAD and ODYSSEY.
Anyway, the list serves as reasonable suggestions of what to read in this time of pandemic. I've read twenty-six of them, and have another eleven. Of the remaining sixty-three, my library has a whopping forty-nine. And by "my library", I mean my town's own library, not the county consortium of libraries or any inter- library loan network, though my guess is that with those, I would have access to almost all of the remaining fourteen. (Currently, I can check books out of the local library, but inter-library loan has been suspended.)
I was surprised at how many are classified as either juvenile or young adult, which I'm assuming means (the later Harry Potter books notwithstanding) that they won't be massive tomes. Of course, the major one I'm looking forward to is THE ARABIAN NIGHTS; I have the unabridged Richard Francis Burton translation, which is three massive tomes. (However, it has only one slot.)
So far on this project I have read OZMA OF OZ by L. Frank Baum (courtesy of Project Gutenberg), FIVE CHILDREN AND IT by E. Nesbit (Puffin, ISBN 978-0-141-32161-5), and THE DARK IS RISING by Susan Cooper (Margaret K. McElderry Books, ISBN 978-0-689-82983-3).
I was never a big fan of the "Oz" books; in fact, I read at most the first one, and I cannot say I recall reading it--just that I figure I must have done so at some point. So I'm not sure why Time Magazine picked OZMA OF OZ over the other books in the series; one would have expected them to pick the first book, THE WIZARD OF OZ. THE WIZARD OF OZ is one of my favorite movies, though that may be from the iconic stature it achieved while I was growing up. It is well known as the film that ran every year, but only once a year, and people waited eagerly for it. (The first time I missed it from my early childhood on was in college when there was some sort of field trip that day.) OZMA OF OZ was okay, and maybe my being an adult makes my judgment less valuable for this, but I cannot see why it particularly is on the list.
FIVE CHILDREN AND IT is basically a sequence of short stories where the five children find a "sand fairy" who grants them a wish a day. (They are four really--one is just a baby and not involved in the wishing or anything else that requires cogitation.) As with every story involving magical wishes, the wishes go awry. There are about a half dozen wishes, and the theme goes a bit tedious after a while.
However, FIVE CHILDREN AND IT has one startling feature--Nesbit was an "early adopter" of gender-free pronouns. She does not invent new ones, but she has no problem with using "its" as a pronoun referring to people ("Each of the children carried its own spade" [page 6]), or using the plural "their" to refer to a single person ("Has anyone else anything to do with this?" "Yes, ... but it wasn't their fault." [page 122]).
She also has one character say, "Friends, Romans, and countrymen-- and women..." On the other hand, at one point one of the girls says to the other, "Oh, Jane, do try to be a man!" [page 112] However, she follows this with "Jane did try to 'be a man'" so maybe she's getting in a sly dig here.
It is quite surprising to find these in a book first published in 1902. (Yes, I know Jane Austen used the third-person plural pronoun as grammatically singular.)
(Looking around, I see that this has been observed by others, and also in other books by her. There are various explanations given for why she might have done this, but no one really knows.)
Nesbit concedes that adults would wish differently, but has the san fairy complain that grown-ups wish for things like "a graduated income tax, and old-age pensions and manhood suffrage, and free secondary education, and dull things like that."
I will probably cover THE DARK IS RISING next week. [-ecl]
Mark Leeper firstname.lastname@example.org Quote of the Week: The circumstances of human society are too complicated to be submitted to the rigor of mathematical calculation. --Marquis De CustineTweet
Go to our home page
THE MT VOID