Once again it is time to pick out what I consider the best of the best films I saw this year and I have to bemoan the fact that I am just not in a position to see all the films that deserve recommendations. I should not call these the top ten films of 2017, but the top ten I have managed to see. It also is not a good idea putting a bunch of these films together and rank ordering them. Last year there were four or five good documentaries wholly or in part about police brutality, race relations, and riots. This year there is at least that many. It was a topic that was very much in the news in 2017. If they were seen separately and months apart they would probably get high ratings. But it is hard to see three in a week and not down-rate them for being so similar and not have that affect my opinion.
Films are rated on a -4 to +4 scale.
MOLLY'S GAME
This film is based on a true story. Molly Bloom wanted to be an
Olympic skier and came very close to making it. Then in an instant
she had an accident, was washed out, and had to give up her Olympic
dreams. By chance she ended up inheriting the job of organizing the
most exclusive weekly poker game in the world. This task brought
her some small fame and some major fortune in (honest) tips.
MOLLY'S GAME is written and directed by Aaron Sorkin who wrote THE
SOCIAL NETWORK, STEVE JOBS, MONEYBALL, and A FEW GOOD MEN. He also
did much of the writing for "The West Wing". I will be honest that
sports films are not my thing, and poker films are not my thing
either. I started this film thinking it was not for me. It took
five minutes before I became fascinated by this film and by Molly.
Jessica Chastain is captivating as Molly Bloom and Idris Elba is
her lawyer. When the two talk they are really convincing as being
very, very smart. Much of the film revolves around the fact that
Molly has very high scruples. The FBI did not believe that, but I
do. This film was a lot of enjoyment and it may well be the most
fun I will have at the movies this year. This is a major role for
Chastain and I suspect that from now on she will be thought of as a
glamorous actress. Rating: +3
THE POST
Set in 1971, the owner of the Washington Post is faced with a
Constitutional issue of whether to publish the contents of the
Pentagon papers or to allow the government to gag her newspaper.
Meanwhile as the first woman ever to own a newspaper she gets
little respect from her own staff. Steven Spielberg directs a good
cast led by Meryl Streep and Tom Hanks. Hanks's character,
Streep's editor-in-chief, is pushing for the newspaper to exercise
the First Amendment right of the newspaper. But that way leads to
a lot of trouble. Rating: +3
JANE
This biography of Jane Goodall shows us how by studying chimpanzees
she has changed our definition of what is and is not human. We
see her in-depth (and continuing) study of chimpanzee behavior. The
film is a feast for the eye with its beautiful animal photography.
Just how these images became part of the film is actually part of
the story. This is certainly one of the year's best documentaries.
Rating: +3
FIRST THEY KILLED MY FATHER
This is an epic yet personal story, a memoir of one very young
girl. Loung Ung, survived in Cambodia when the violently militant
Khmer Rouge controlled much of the populace. The narrative is just
as vicious and painful as the title suggests it to be. Angelina
Jolie directs from a script by she co-authored with the real Loung
Ung. Rating: +3
DUNKIRK
With an unusual stylistic approach, Christopher Nolan writes and
directs his re-creation of one of the most heroic retreats in
history. 400,000 British soldiers had been fighting in Europe and
now were surrounded by Germans, stranded on the beaches of near the
French town of Dunkirk where they were vulnerable to attack from
the land, sea, and air. At the same time as he is telling the
story, Nolan does some strange experiments with cinematic time that
the inattentive viewer (like me perhaps) might easily miss. Rating:
+3
HAROLD AND LILLIAN: A HOLLYWOOD LOVE STORY
This is the story of the lives of a Hollywood couple, Lillian and
Harold Michelson, who were the barely-sung heroes of the Hollywood
film industry for six decades. Harold had an instinct for how films
should look and created pitch-perfect storyboards, often
transforming the director's whole vision of the film being shot.
Lillian had a huge and astutely collected research library to find
authentic visions from around the world, from all of history, and
into the future. The story of their private lives is a love story
of a perfect marriage. Their visual style and knowledge shaped the
look and feel of surprisingly many classic films. This film was
written, produced, and directed by Daniel Raim. Rating: low +3
BREATHE
This is based on a true story. Stricken with polio and a prognosis
of only three months to live, Robin Cavendish must first overcome
his death wish. He then attacks his problem that he must live in
hospital with an immovable respirator. With the help of friends he
engineers a way to live at home and then to actually move around.
His engineering solutions improved the lives of thousands of polio
victims. Andy Serkis's directorial debut is a moving paean to the
human spirit and the possibilities of engineering. Rating: high +2
BLADE RUNNER 2049
After thirty-five years the classic science fiction film BLADE
RUNNER gets a sequel directed by Denis Villeneuve and based on a
screenplay by Hampton Fancher among others. The story concerns a
search for the author of the false memories implanted in replicants.
The film is a long 163 minutes starting at a contemplative (not to
say "snail's") pace, yet is a little overstuffed with action later
in the second half. It is richer in ideas than is the original
film, though it lacks the iconic visuals that that first film did
so well. Rating: high +2
THE LIMEHOUSE GOLEM
A police detective stalks a serial killer in Victorian London and
tries to connect it to a recent killing. The film feels as if it
was dipped in "Victorian atmosphere concentrate." The movie takes
itself very serious indeed, but the viewer can look between the
lines to see it as something of a romp. Peter Ackroyd's 1994 novel
DAN LENO AND THE LIMEHOUSE GOLEM is the basis of this dourly fun
mystery with a popular London music hall as a background. Juan
Carlos Medina directs a screen adaptation by Jane Goldman. The film
features the never-fail actor Bill Nighy and Olivia Cooke. The
mystery is perhaps not enough mysterious, but the acting and the
look and feel are worth the trip. Incidentally, one disappointment
is that the plot has virtually nothing to do with golems. Rating:
high +2
TICKLING GIANTS
Dr. Bassem Youssef was a heart surgeon in Cairo who was fascinated
by "The Daily Show" and its host Jon Stewart. He quit medicine and
started his own satirical daily show, patterning himself after
Stewart, but in a country where extremists can be deadly. This
documentary, heavily laced with humor and satire, tells the story
of Youssef and his send-up show(s) under three dangerous and
autocratic presidents of Egypt. Rating: high +2
Mark R. Leeper Copyright 2018 Mark R. Leeper